April 17, 2017
The road to Broadway was paved with compromise for Sholem Asch’s “God of Vengeance.” Though this early-20th-century Yiddish play had dazzled Greenwich Village audiences in 1922, the show’s producers worried that it might be too provocative for the less bohemian folk of Midtown; a pivotal love scene between two women was deleted from the script, much to the distress of members of the company. Read more…
https://www.nytimes.com/2017/04/18/theater/indecent-review-paula-vogel-broadway.html?mcubz=3